A clear shot of the dust-jacket with the elegant gold-foil cover art depicting dangling marionettes 

A full-page spread showing vibrant color plates, life-sized marionettes designed by W.A. Dwiggins, including animals and characters in performance poses. 

Close-up black-and-white photographs capturing the intricate facial details and craftsmanship of the marionettes. 

The Fabulist No. 3 (Autumn 1921): a full-spread featuring a bold archery illustration and author portraits—captured in black‑and‑white style 

A striking red-ink cover design titled The Archer, created by Dwiggins in collaboration with L.B. Siegfried for the Littlebook Press imprint 

A colorful stenciled illustration of a Chinese woman from Fabulist No. 2 (1916)—an early example of Dwiggins’s innovative illustration techniques 

Contextual imagery: although not from The Fabulist, a layout from Dwiggins’s Layout in Advertising shows his signature ornamental style and typographic design 

This stunning decorative motif is a stenciled ornament by W.A. Dwiggins, likely adapted from his work in Stencilled Ornament & Illustration—a 1920s portfolio of stencil-based embellishments composed of organic sprigs, leaves, and floral motifs 

This sheet is a direct reference to Dwiggins’s modular design philosophy, where a limited number of reusable shapes were arranged to form complex and symmetrical compositions. These techniques formed the foundation of his early 20th-century decorative style, clean, abstract, modernist, but with a folk-art flair.